Heaves of Grass
Charlie Brice
Does the color green signify hope,
or does it bring to mind heaps of dope—
the acrid smell of which vents out of
every drain and ditch on my street? The
unsightly weed, prickly when it dries,
once sniffed makes me hear the high. Charlie
Brice, that is I, stoned by contact when
I pass by. Oh those college days of herb
and daze, lost but happy in the blaze
when, brain-dimmed I mistook the word dayglow
for dago and wondered what hippies had
against Italians. Strobes and patchouli
oil cause such misapprehensions. Think
of Zappa’s imitation of a
Roman drunkard chanting Oh no! Oh no!
on Suzy Cream cheese, or Dylan’s pleas
that he couldn’t find his knees. He spied
a hole where his stomach disappeared.
No wonder he was afeared! The cracked
shell of reason paved Bob’s streets with gold.
Those dollar signs made him bold, gave him
lots of bread, let him boogie with Frank though
Frank was dead. Barley Chise, they called me
in grade school, good Catholic boys, but not
so nice. They will, of course, pay for their
meanness in the afterlife. Their pest-
iferous pizzles will fall off, turned to
ash in the fires of strife—or not.
Socrates said, Ἕν οἶδα ὅτι οὐδὲν οἶδα,”*
but I say, watch it, boys, those flames are
gonna eat ya. You used too much ganja,
fell off a cliff while toking a spliff,
now look around, see where it got ya.
*I know only one thing: that I know nothing.
CHARLIE BRICE won the 2020 Field Guide Poetry Magazine Poetry Contest and placed third in the 2021 Allen Ginsberg Poetry Prize. His ninth full-length poetry collection is Tragedy in the Arugula Aisle (Arroyo Seco Press, 2025). His poetry has been nominated three times for the Best of Net Anthology and the Pushcart Prize and has appeared in Atlanta Review, The Honest Ulsterman, Ibbetson Street, Chiron Review, The MacGuffin, and elsewhere.